Sunday, 3 March 2019









It is only her ongoing recovery and concurrent developing relationship with Brother Skunk as finally afford ache1 the requisite courage to take dinner in the hotel’s main restaurant, having previously ordered all food sent to her room.
When they walk in they do so fortified by their holding hands and by the having already consumed the full capacity of his hipflask; confirming her current room number they are seated at a table for four with just the two place settings, conveniently permitting her E.T. doll take a chair between them rather than being left on the floor, or taking up space on the table itself.
Approached by one of the waiting staff, Skunk in his nervousness hears himself respond to their question almost before its having been asked,
cog: Can I get you anything to drink?
Skunk: Triple Jack Daniel’s no ice no mixer.
cog: Excellent,
then to ache1, and from prior experience of her room service already writing down her answer
cog: and for you?
ache1: I’ll take one of my Mooseheads in the bottle…
cog:
ache1: ..and a triple Jack Daniel’s no ice no mixer.
At that point he believes she thinks him considering his options from the menu, Brother Skunk instead watches ache1, herself watching her E.T. doll between them with an expression the deciphering of which he finds impossible, but which does again result in his albeit momentary questioning of himself, and where all of this might be headed.
Though both will later reminisce back to this evening with a deal of joy, still neither will be able to recall a single word of their meal’s accompanying conversation, nor even indeed what either of them ate.
Their table grows its green bottles, and empty glasses.
Later, awaiting their forgettable desserts, ache1 asks a passing waiter for the borrow of his pen
ache1: Just, literally not for even a minute, I promise.
and then
ache1: Skunk give me your hand.
taking Skunk’s now proffered left to turn it palm side up before, secreting the activity with her other hand, she executes upon the flesh some manner of either text or graphic, he cannot discern which.
He feels his palm begin to burn beneath the pen’s repeated and inebriate hard passage of her every subsequent attempt, thwarted as she is by the slightly moist surface of his skin barely holding the ink, but persevering until, with this inscription finally complete, she can fold the sticky clump of his fingers back in upon it.
ache1: There, that’s for you and just for you. Please take care of it.
quickly reaching back across to prevent him the opening of his hand
ache1 (her face reddening): Oh God not now, not now. Please? Give me that, at least.
Through their unbroken conversation during dessert, through coffee and after, through their eventual protracted goodbye, he forgets absolutely this moment to have ever taken place, and is in fact more than halfway home when he suddenly remembers and moves beneath the nearest streetlight, opening his palm only to find whatever it was she had written, or drawn, has in fact completely disappeared.